Tag Archives: editor

Editing Process on our DIY Series

At SVG each round of interns are asked to create a video project of their own. For this current Boston video production, video production services, DSLR video productionseason while on the Boston video production team.  As this current round of interns, we decided we wanted to make something that would be useful for current followers of SVG’s blog and for DIY/DSLR videographers. By creating something with these two audiences in mind, we hoped that we would be able to instruct current followers with their own personal projects while attracting a new audience towards SVG through DSLR video production. One thinBoston video production, video production services, DSLR video productiong we learned about video production services is that the processes before and after shoot day both play major roles in the projects. In video production services, a major portion of the work comes after and before the shooting day. The video editing process is half of the creation process in video production.


Editing a video requires a close attention to detail, imagination, and practice. After trying to begin learning the programs of video editing, it was clear that this expertise deserves its credit- things are complicated and extremely technical in this stage. With this in mind, one of our videos used iMovie as the main editing program since it allowed a much more user-friendly interface as it doesn’t possess the intense technical abilities like other programs such as Adobe Premiere. With a smaller project such as this, the editing program didn’t require such complicated tools, so we stuck to the more familiar and amateur friendly, iMovie.


One aspect of the editing process that took us by surprise was how effective clipping and trimming some of the footage made the project. Most of the video is an interview style setting. In these takes though, some of the dialogue and pauses went on for too long. After seeing the takes in order in full, we knew that we needed to trim. After beginning the trimming process we started seeing a clearer and more refined product. In the end, it created a more streamlined and entertaining piece.


In video production services, the editing process has proven itself to our interns as a dominant influence in the success of any video project. It is easy to assume that the main work and creative vision happens on the shoot day, as we quickly learned, this is not true at all. The work and creativity begins at collaboration and strategizing and continues all the way into the editing process.


Skillman Videography Group LLC specializes in Boston video production. Call us anytime at 1-800-784-0140


Intern: Post-Production

Knowledge and experience are the result of adversity and critiques. Practice doesn’t make perfect, but perfect practice makes perfect. Practicing video production is no different, and as Skillman Video Group’s intern, I was able to use my prior experience to produce dozens of articles on video production and video marketing.

Producing a video for Skillman Video Group can be intimidating, especially when working for a company that holds itself to the highest of standards. Although filming the video and interviewing our CEO and Creative Director Christina Skillman seemed like an easy task, the post-production editing proved to me that every little element makes a difference to the larger picture.

Color Correction

color-correction YouTube has proven to be a great video marketing tool, and when it came to learning about an unfamiliar program and color correction, YouTube again showed its worth. There are many different strategies for color correction in Adobe Premiere Pro. After tampering with a few, I found that the best color-correction workflow was to correct using RGB scopes. One problem that gave me the greatest difficulty in post-production was matching the color temperature of the b-roll shots to the interview’s. Again, I found that the RGB scopes gave me the best results and allowed me to better match the color temperature of the separate shots.

Also using the color scale is a handy tool when trying to match color temperatures. This gave me a better look at the RGB color data, so I knew which colors needed to be toned down and which ones needed to be increased. Overall, next time when filming I will make sure to better match the color temperature of the interviews and b-roll shots so it will make for less of a hassle in post-production.


There is never too much b-roll. B-roll is an important element to a video especially when having to provide visuals for the interview topic. The audience doesn’t just want to look at the interviewee the whole time, so providing b-roll images that fits in with the dialogue. Going back through the b-roll shots I took, I wish that I had taken more. Having options is the greatest benefit of a video and will ultimately lead to its success. Although I had b-roll clips that worked, it wasn’t up to my standards nor SVG’s. SVG is all about high quality and though I had b-roll shots that would be considered as highly valuable, the rest were average.


audio+ music

Deciding on background music can be tricky. I knew I wanted uplifting feel-good music in the background that wasn’t nostalgic or too aggressive. The video is meant to provide information to SVG’s clients on preparing for a video marketing meeting so the music should express the emotion of the video. After exploring different songs, and testing each in the video sequence, I finally found the right song on Premium Beat, which was uplifting and fit in perfectly with the video. When adding music into a sequence, the music audio and dialogue audio needs to be adjusted so that the music doesn’t overshadow the dialogue. Using keyframes allows the editor to adjust the audio in certain areas that are either to high or too low.


After reviewing the video with Christina Skillman, there were areas of the video that I could improve editing wise, but and as a video producer I learned to look at the smaller elements of video production. Even a scrunched up shirt and messy hair can cause a distraction to the audience and can offset the video. Looking at every detail and making adjustments is what separates the high quality videos from the average. Though I am proud of the video I produced I learned that there are always areas to improve whether it be as a video producer or an editor in post-production

Skillman Video Group LLC is a Boston video production company. Call us anytime at 1-800-784-0140.

SVG on set

2016 Doctoral Research Forum

SVG at MITShooting live events is nothing new for Skillman Video Group, and neither is working with MIT. Recently, SVG was hired to shoot the 2016 Doctoral Research Forum held at one of MIT’s campuses in Boston. The forum was based around 8 presentations that would last about 20 minutes each. It always feels good for SVG knowing that we continuously provide the best videos for our clients, and so much so that they keep us on speed dial for other projects or events.

Although we have worked with MIT before, our approach and protocol stay’s the same. SVG’s videographer, producer, and audio crew arrived at the filming location an hour and a half before the presentations began to set up the equipment. Seeing that we would be filming a live event, it was important to arrive at the location early to test the audio, soundboard, lighting, and camera angles.


Audio crewWhen filming live presentations it’s important that the camera is able to pick up all the audio from each presenter. By bringing in our audio team it allowed us to hook our camera up to the sound board so any dialogue coming through over the rooms speakers would also be directly sent to the camera. Three presenters were set-up with wireless lavalieres. When it was one presenter’s turns to speak the sound crew would turn down the audio from the prior presenter and turn up the audio for the next. This allowed for an easier transition from one presenter to the next without having to slow the day down due to micing up the next presenter each time. Having three wireless lavalieres not only made for an easier transitions but also kept the presentations flowing. Our audio crew also set-up two wireless microphones. One was set at the podium for introductions into the next presenter, and another at the judge’s table for questions. The audio from these two microphones was also sent to the soundboard and then into the camera. Although audio can be difficult to understand if we are talking logistics, as long as you have the right equipment and audio professionals, the task is easier done than said. All it takes is one wire to connect the soundboard to the video camera.

Camera Set-UpCamera Set-Up

Camera set-up can be tricky when filming live events especially because the videographer must anticipate where the presenters will be walking. In order to ensure that our video cameras would capture the presenter the projector screen, we added tape on the floor so the presenters would know what areas he or she were permitted to walk. Although you will have some presenters who wander off past the black tape, our wide camera angle made sure to capture all movement.

Camera set-up is always important during live events. Seeing that the presenters would be using a projector with slides to show their research we needed to include a close up shot of the presenter, a wide angle shot of the projector and the presenter, as well as a shot of just the projection screen. As stated before we assembled one camera toward the back of the room. We raised the camera up on the tripod to avoid the audience members sitting at the tables in front of the presenter. Having audience heads at the bottom of the screen takes away from the video and is a distraction visually. Another video camera was set-up at the front of the room, but out of the way of audience members. This camera was solely to focus on the presenter and pan to the judges during questions. Finally, a third camera sat on one of the tables at the front of the room. This camera was only set-up to capture the presenters slides. The slides from the presentations were sent to our editor to include into the video. By filming the projector screen it would help the editor in post-production know where each slide is to go.

Natural Lighting

Lighting Although the tape on the floor was to stop the presenters from moving outside of the camera shot, it was also to ensure the presenters would not walk in front of the projector screen and cast a shadow. Shadows would ultimately be the problem to avoid throughout filming. The room we were in brought in a lot of natural lighting, which illuminated the room beautifully but can also cause a lot of unwanted shadows across the background and floor. To avoid the shadows, our professional videographer assembled two LED lights (One small and one larger). The LED lights would add extra light but would also offset the shadows. One thing to keep in mind when working with natural lighting is the suns movement through the course of the day. However, having extra LED lights set-up can be adjusted as the natural lighting comes in through different directions, and again can offset the shadows.

On a side note: when filming indoors with natural lighting always make sure to reset the white balance on the camera.

It’s always a pleasure working with MIT, and we hope to continue our relationship with the University down the road. Though there are always some problems that come up when shooting a live event, our crews preparation only makes those problems minimal.


Professional Video Production Corporation

The Roles on Set

Videographer There are many parts to a fully operating set. Whether a director or producer, there are conventional and unconventional roles to every job. You could be holding up a light one second, and then picking up trash the next. For some, roles on set can be anything but conventional. Here are some descriptions of the most used roles on a set.


A director can be considered the leader of the group. He or she is in charge of directing everyone from the actors to the camera crew in a film or video. The director can also control the visual aspects and tone of the video through the script, actors, and crewmembers (in the absence of a dedicated Director of Photography.) All directors approach a video or film differently, for some like to have complete control over the actors while others allow the actors to do their own interpretation of the script. Regardless, the director is always in control of each scene, and will make the decisions fit for a successful video.

Although a director already has a lot of control, some unconventional jobs include the editing process in post-production. This allows the director to make sure his or hers visual interpretation of scenes are brought to life after filming. Also some directors like to contribute in other areas of a video, like writing the script, making an appearance in the video, or making the music score.

Sound Engineer

Sound engineer A sound engineer can be defined as a technician for broadcast radio or musical performances; but in the case of video, a sound engineer is best characterized as the “sound technician.” The sound engineer, or sound technician is used in both production and post-production. Their duty in production includes recording all sound on set or on location. He or she must make sure that all the sound acoustics are not too high-pitched or too low-pitched, and must also continuously monitor the sound and make adjustments throughout filming. In post-production, the sound engineer is in charge of mixing and balancing the recordings, and creating sound effects if needed.

A sound engineer might be asked to do certain sound effects with the audio, or re-record the audio if good sound quality was not captured the first time. The job entails working long hours and in not so pleasant conditions depending on where the set is. The sound engineer must always be prepared to capture the needed audio whether it is raining outside or in a fully operating building.

Directory of Photography

The director of photography is also known as the cinematographer or DP. He or she is head of the camera crew and lighting. The DP must make both technical and visual decisions depending on the director’s instructions. He or she also works hand in hand with the director and must pick out the right equipment to fulfill the directors vision for the scene. The DP is also the chief of framing, costumes, and makeup. In other words, the DP is in charge of making sure everything through the camera lens looks good.

At times, the DP helps assist the post-production team with color correction and grading. The DP will also help make costume and makeup decisions that will not be affected by the lighting won’t be unflattering on the actors.


The producer is similar to a manager. He or she must plan and figure out the finances for a video. The producer is the one the clients communicate with regarding the budget and what Producer they are looking to create; he or she overseas every part of production. However, along with managing and planning, the producer is also the one who takes the fall if anything were to go wrong on a video shoot. In other words, the unconventional job of the producer is making sure the schedule is followed, is constantly sending out emails, stressing over the location and budget of a video, and is always moving around to make sure every part of production is going as planned. If something isn’t going right and the client isn’t happy, the producer takes responsibility.

Script Supervisor

Being a script supervisor doesn’t just entail overseeing the script but also wardrobe, props, hair and makeup, and scenes. He or she is in charge of taking notes throughout filming so the editors may use them in post-production to determine the best takes for a scene. The script supervisor also works directly with the director and director of photography by monitoring the scenes to keep track that the script is being followed without any errors. At the end of each shoot day, the script supervisor will make production reports and editor notes for the production and editing team regarding take times and breaks as well as specific lines of dialogue shot that day.

Besides constantly monitoring the scenes and script, the script supervisor may also find his or herself helping the director and camera operators set the cameras position.

Production Assistant

Production Assistant The production assistant, or PA, is involved with various duties. He or she might find themselves setting up dollies, tri-pods, cranes, and tents; or getting the talent, making script copies, answering phones, and driving the equipment truck. When it comes to being the production assistant, the unconventional is conventional. One second, he or she might be picking up food and trash left around on set, and the next will be calling out “action” and “cut” for scenes. The PA is the first one to arrive at set and the last one to leave.

Best Boy

The best boy either refers to the best boy electrician or best boy grip. He or she is the person on the lighting team that the DP counts on. Mostly, the best boy is in charge of moving the lighting. However, responsibilities vary and can be both conventional and unconventional. As assistants to the head of the lighting team, the best boy must be prepared to handle everything: completing time cards, paperwork, overseeing union rules, unloading and loading sets, setting up lighting and sound equipment, getting food for the crew and actors, and even picking up the actors dogs from the groomer. As the best boy, he must be willing to accommodate everyone.

For some, roles on set doesn’t differ day to day while others must constantly be prepared to do whatever he or she is told. One thing is for sure though, when being on set everyone must be on their toes and ready for that one word: “ACTION!”

Skillman Video Group LLC is a Boston video production company. Call us anytime at 1-800-784-0140.