Slate

Separate Audio and Video

This past week the Skillman Video Group interns, Jason and Chloe, created their own Boston marketing videos from the ground up. This included everything from scripting to shooting, and they used advanced Boston videographer¬†and audio recording equipment. Let’s break down working on a video production set with separate audio and video equipment. This is often the case for high-end Boston video production shoots, and is a vital skill for entering the Boston video company industry. Here are 5 tips for running separate audio and video feeds.

  • Learn to control the boom mic.
    Audio engineer w/ boom pole

    Ken, SVG boom mic operator

    There is a running joke in the film industry about boom mics falling into frame (especially in older films), but this is because boom mic operators fight for every inch of proximity to the source of a sound. The audio operator must constantly coordinate with the director of photography to know the frame boundaries and where to safely place the microphone.

  • Always use a slate or simulated slate for organizational purposes. This will prove vital for post video production services. Essentially, you need to have the number of the scene, shot letter, the number of the take, and a snapping sound. You can also just clap with your hands in front of the camera. Be sure to clearly enunciate a term or word for each shot letter. For example: If the scene is marked as 1AT2, say “one alpha take two” before closing the slate.
  • Map out where the camera operator and audio operator should be at all times. If the camera has to move then the audio operator needs to be ready. This will prevent the boom mic (and operator) from being in the frame, casting a shadow, etc., especially for camera whips and pans.
  • Always keep an eye on wiring throughout the set. The audio equipment will add its own flurry of cables and cords, so keep these into account to ensure safety for everyone involved. A loose cable can lead to a falling injury, a fire, or worse for a video production company.
  • Audio levels must be monitored constantly. The last thing an editing team wants is to start working on footage that is accompanied by sub-par audio. This includes audio that is both too quiet and audio that keeps clipping on loud voices. Check in with the director of photography and the director to ensure satisfaction.

Skillman Videography Group LLC specializes in Boston video production. Call us anytime at 1-800-784-0140.