Tag Archives: Post Production

Editing Process on our DIY Series

At SVG each round of interns are asked to create a video project of their own. For this current Boston video production, video production services, DSLR video productionseason while on the Boston video production team.  As this current round of interns, we decided we wanted to make something that would be useful for current followers of SVG’s blog and for DIY/DSLR videographers. By creating something with these two audiences in mind, we hoped that we would be able to instruct current followers with their own personal projects while attracting a new audience towards SVG through DSLR video production. One thinBoston video production, video production services, DSLR video productiong we learned about video production services is that the processes before and after shoot day both play major roles in the projects. In video production services, a major portion of the work comes after and before the shooting day. The video editing process is half of the creation process in video production.


Editing a video requires a close attention to detail, imagination, and practice. After trying to begin learning the programs of video editing, it was clear that this expertise deserves its credit- things are complicated and extremely technical in this stage. With this in mind, one of our videos used iMovie as the main editing program since it allowed a much more user-friendly interface as it doesn’t possess the intense technical abilities like other programs such as Adobe Premiere. With a smaller project such as this, the editing program didn’t require such complicated tools, so we stuck to the more familiar and amateur friendly, iMovie.


One aspect of the editing process that took us by surprise was how effective clipping and trimming some of the footage made the project. Most of the video is an interview style setting. In these takes though, some of the dialogue and pauses went on for too long. After seeing the takes in order in full, we knew that we needed to trim. After beginning the trimming process we started seeing a clearer and more refined product. In the end, it created a more streamlined and entertaining piece.


In video production services, the editing process has proven itself to our interns as a dominant influence in the success of any video project. It is easy to assume that the main work and creative vision happens on the shoot day, as we quickly learned, this is not true at all. The work and creativity begins at collaboration and strategizing and continues all the way into the editing process.


Skillman Videography Group LLC specializes in Boston video production. Call us anytime at 1-800-784-0140

Top 3 Jobs of a Video Producer

What are the Roles and Responsibilities of a Video Producer?

A Video Producer is a very important member of a crew. They have many responsibilities and roles throughout the whole process of the video production services. From planning to post production, the producer is making decisions and making sure everything gets done. There jobs are involved with every field within the video shoot. There are many members of a video team that take part in creating the successful final product. The video producer works with each of the other crew members to make sure everything runs smoothly. They oversee the whole project from start to finish. Here are some of the big roles men and women video producers play…

1. Client Contact and Budgeting

what are the roles and responsibilities of a video producer?The Video Producer is the middle man between the client and the rest of the crew. It is one of the first roles the producer plays but stays constant throughout the whole shoot. If there is any questions or concerns that the client might have, it is the producer’s job to answer them. There will be a lot of back and forth between the client and producer to plan the shoot before it even happens. Depending on resources and money ,it is up to the producer to make sure that the client gets everything they want within their budget. It is very common for the producer to have to go back to the client and tell them they might need to change things around to stay within budget. The Producer acts as a medium between the creative team and client. There will be some back and forth to determine whether the creative team needs more or the client has provided enough. The number one goal is to keep the client happy while helping them create their vision on screen. The Producer takes the time to make sure everything is how it should be and the client is happy.

2. Managing shoot day logistics

On the day leading up to the shoot, and on the actual shoot date, the producer is in charge of all the logistics. The crew will be hired through the producer. It is up to the producer to make sure everyone has the call sheet and is on the same page. Scheduling the shoot day is very important, because you want to make sure everything is written up before hand to ensure a  smoother day on set. The Producer is also in charge of making sure everything is on set; including, costumes, props, actors, and crew members The Producer oversees it all.

3. Reviewing Post Production Progress

what is the role of a video producer?

Once the shoot is over the job of most of the crew is over, but not the producer. The producer plays a big part in editing and reviewing the work to make sure it will be what the client wants. They will assist in revising the final product, and choose the scenes that should be added or taken away. Another big part of the Producer’s post production job is time management. Making sure everything will be completed in the amount of time given is important for your client’s happiness.

There are many roles a producer plays in the video production services. Each job is important to the flow and success of the video shoot. There are many other positions and crew members that help throughout the process as well. Skillman Video Group has an amazing Women Video Producer in Boston. Christina Skillman makes sure that everything is set so she can play every role as a Producer for her Boston Video Production Company.

Skillman Videography Group LLC specializes in Boston video production. Call us anytime at 1-800-784-0140.

The Importance of Backing Up Footage

For any professional video crew, backing up footage, or, saving it in more than one place, is an important step in the production process. In doing so, it ensures that in the event of an emergency the footage that is irreplaceable can be salvaged by saving it someplace else. There are several things that can go wrong with a computer, including:

  • Hard drive failure
  • Theft
  • Physical damage to the computer
  • Infection from a virus
  • Computer crash

A normal backup is creating a duplicate copy of all the footage, which is especially useful if the original becomes damaged, corrupted, or lost. There are several examples of backup devices, but since video occupies so much data, the best option is to invest in a more extensive option. The price depends on how much space is needed, but even the most expansive options are relatively inexpensive. The three best examples are as follows:

Canon EOS 650D

Canon EOS 650D

  • An SD Card is the first form of protection. When footage is recorded, it automatically saves to the SD Card. For the entirety of the post-production process, it is wise to keep the footage on the SD Card in case something goes wrong. As a last resort, the original footage can be found on the card, and the editors can start from scratch.
  • Flash-Drives often hold megabytes of data, a good choice for sound footage, music, and footage for smaller projects. A flash-drive can be distinguished for each project, or each component of a video, therefore allowing for easy organization. A flash-drive’s contents can also be accessed through most computers, truly a portable and lightweight necessity.
  • For video production, an External Hard-Drive is the most thoughtful option. It has the capacity to hold terabytes of data, a very important feature, due to the aforementioned fact that video takes up a lot of space. An external hard-drive can hold footage for several projects, which is beneficial because they can be accessed in one place, but risky because if the hard-drive is lost, so is all of the data. For this reason, many video makers invest in several hard-drives.

Another option is online backup, a service that is offered through services such as Google Drive, iCloud, Raid, and BullGuard Internet Security. The benefit of utilizing the internet to save data is that it is accessible from any device, and it provides the option of backing up fully or in increments. Saving fully should be done prior to any modification to the footage, as well as after a full day of editing to make sure the latest changes have been saved. Saving incrementally should be done hourly during the editing process. A computer crash can occur at any time, and it pays off to be prepared.

The biggest thing to keep in mind when keeping footage safe is to be organized. Keeping track of data is just as important as backing it up. The more devices that are utilized, the more that maintenance is required, especially for an important project.

Skillman Video Group LLC specializes in video production Boston. Call us anytime at 1-800-784-0140.

Terms for Every Boston Videographer

“Angle’s” isn’t just a geometry term, and is quite often used in Boston video production terms. Who would have thought we use geometry in video production. Well the truth is we use the term “angle” more than the actual mathematics. Options and angles work incoherently. As a Boston video company it is important to have more than one option of a particular scene, and even so having close-ups, medium shots, and wide angle shots of that scene (just to name a few). What is this point of all of this? Well, it’s simple all of these options are for our editing team in post-production.

As a Boston videographer for Skillman Video Group it isn’t just enough to have the top of the line equipment. Experience and a keen eye on detail makes the difference in an average marketing video and the best Boston marketing video. Although there is a lot of trial and error when first starting out as a professional videographer, knowing the types of shots and equipment needed to get the perfect shot.

Here is an overview of Boston Video Production Terms for Boston videographers just starting out:

  • Extreme Wide Shot (EWS)- Shot taken from far away where the subject isn’t visible.
  • Very Wide Shot (VWS)- The environment around the subject is still prominent and the subject is barely visible.
  • Wide Shot (WS)- The subject takes up the entire camera frame.
  • Medium Shot (MS)- Shows part of subject in more detail.
  • Medium Close-Up (MCU)- Closer than a medium shot but further away than a close-up on the subject.
  • Close-Up (CU)- A feature of the subject taking up the full frame.
  • Extreme Close-Up (ECU)- Shows extreme detail of the subject.
  • Cut-In (CI)- Shows other areas of the subject in extreme detail.
  • Cutaway (CA)- A shot of something that is not the subject.
  • Over-The-Shoulder Shot (OSS)- Focusing on the subject over the shoulder of another person.
  • Point-Of-View Shot (POV)- The view of the subject.

Besides types of Boston video company camera shots, here are some other terms a professional videographer should keep in mind while on set for a corporate video production company.

  • Color-Temperature- The red, blue, and yellow colors given off in the room. The different color temperatures from scene to scene must be consistent.
  • B-roll– Alternate footage to go with interviewees topic of discussion.
  • Depth of Field (DOF)- The distance between the nearest and furthest subjects that the camera must adjust to focus on.
  • Boom Microphone- A microphone attached to the end of the pole. This microphone is used to pick up more audio from the actors without getting into the camera’s frame. Used in conjunction with a lavaliere.
  • Lavaliere- A small microphone hidden under the actors or interviewees clothing.
  • Aspect Ratio-The size in which the film has been shot. 16:9 is most common.
  • Pan-Following the subject either vertically or horizontally
  • White Balance-The color balance on the camera. Before filming either make sure the white balance is on auto or it is adjusted using a blank white piece of paper

Being a Boston video company like SVG means having a production team that has experience and a great deal of knowledge surrounding everything from pre-production, producing, professional videography, and post-production editing. Although this is just a snippet of some of the most common corporate video production words, it will help any Boston videographer get started in the big city.

Summer Intern Video “Dos Equis”


While being the summer intern at SVG, I learned some interesting new skills that improved my overall knowledge about video production. One of the tasks of being an intern at Skillman Video Group is that at the end of your terms, the intern must create a marketing film that will be used to promote the Boston video company. I was tasked with working on one of the videos this summer, which we decided would be a parody to the famous Dos Equis commercials. After planning and writing the script for this future production made by the summer interns, it was time to film.

Video Production services Video production was going to remain generally simple for the actual film. The commercial was going to be a minute long with clean cuts throughout the whole video. This was the key to making such a simple but professional looking film. All the shots needed to be filmed in the best fashion so that the voiceover could accurately represent what was happening on screen. The iconic commercials that I’m sure so many of us are familiar with have been etched in our minds because of the comedic value. This was part of the production process that we focused on intently while representing SVG as a Boston video production company.

When we started on the video production day, the crew that we decided to use looked over the shot list to see the general idea of what we wanted to attain for this video. Once the camera started rolling, it took several try’s to figure out what movements and framing would work best and look the most professional. This took up a lot of time but it was necessary for making sure that the end product would have the clean and polished look that it deserved to exemplify what Skillman Video Group is all about. By working with such a talented video marketing company, my intern experience helped exemplify how a production day should run and how to properly get the shots needed for post- production.

Boston video productionAll in all, the marketing video turned out to be a success. The video shots filmed were exactly what I needed for editing in post-production and it turned out being a fantastically easy process. This was all thanks to the amazing preproduction work done which included all the planning and time management organized prior to filming. SVG provides video production services that can be tailored to any companies needs with such amazing professionalism and creativity.

Boston Video Comedy

Ready to add some flair to your Boston video production? While comedy is a challenging beast due to its subjective nature, there are a few tried and true methods that can appeal to broad audiences. Here are a few tricks and tips to try during and after a Boston video company shoot to get some laughs.


As funny as a witty line of dialogue may be, after a certain point, the actor responsible for said line will no longer find it as funny as when they first read it. This can be counterproductive to comedic impact; eventually, the delivery of said line will feel disingenuous and lose its initial power from the first few takes. To get around this, try encouraging an actor to spitball a few different versions of the line with a few word changes or additions in the heat of the scene. If you’re forced to call “cut,” because the actors break into laughter from the improvised lines, you’re on the right track for a funny Boston video production.


Comedy often sparks from the disruption of the status quo, which translates to a scene being interrupted or derailed by a sudden occurrence. An easy way to do this is to have a character barge into a scene, unannounced and unwarranted. “The Office” and “Parks and Rec” love to do these kinds of character entrances, thanks to their quick timing and sense of spontaneity. This also applies to characters exiting a scene. In one of the SVG intern videos, Jason’s character dashes out of a room as Nicolette is trying to warn him about his vain video attempt, but he leaves too quickly to hear what she has to say. British comedies will sometimes have characters exit frame by crashing through an object, such as a window, just to give another example.

Break the 4th Wall

The “4th wall” refers to the metaphysical concept of the barrier between performer and audience member. This concept is typically not meant to be addressed during a work of art, (especially film) because it can completely eliminate the sense of immersion. However, when used effectively and regularly, there is great potential for comedy. This is something that Martin Scorsese does in many of his films (ex: Wolf of Wall Street) by having the main character address the audience, thus breaking through the wall of the film medium. A quick note: this trick only works for fictional projects, so don’t expect an everyday Boston YouTube interview to be able to pull this off.

Rhythm of the Cut

For comedic video production services, post-production work must also be given apt attention. Editing becomes crucial because it decides the pacing of jokes in a given video. Sometimes, when this pattern is broken or interrupted,  a particular joke can become even stronger. A great example of this is the power of the awkward pause. The audience is used to a cut for each punchline, but if you just extend the shot and don’t make the cut, the awkwardness in a scene can become palpable and really add to the humor.

Skillman Videography Group LLC specializes in video production services Boston. Call us anytime at 1-800-784-0140.

After the Video Shoot

After being on a few sets with Skillman Video Group, a Boston video marketing company, I have learned as an intern why it is so important to have advanced equipment on each project. There were a couple pieces of production equipment that were very important to the day that SVG used while shooting enabling better film quality. Every film site can require different gear to make the Boston video production that much better and here at SVG, we make sure that our video production services meet any environments needs.

Boston video production

Microphone set up

At one particular Boston video production shoot that SVG was hired to film, our Boston videographer Chuck Green used various forms of microphone equipment to capture excellent sounds quality. Though it may seem normal to have several microphones in play to capture the interview recording, its important equipment like this that makes or breaks specific shoots. One of the microphones used was a mounted boom poll, which was set up right in front of the interviewee but out of the frame. The second one used was a lavaliere microphone that was attached to the collar of the subject being interviewed. These two forms equipment helped amplify the sound recording enabling a better quality to work with in postproduction.

Steady Camera Suit

Steady Camera Suit

Several weeks later I was on set at a Boston video production site that SVG was hired to film. This was a big warehouse full of large equipment making a set up traditional camera very difficult to maneuver. Luckily the camera used that day was mounted on a steady camera suit. This enabled the cameraman to quickly adjust his position while filming but still providing a smooth, steady shot. This suit was like an armor that was strapped on to the cameraman and was pretty heavy after 4 hours of filming. But the major benefit was the mobility that is permitted. The shots for that specific Boston video production were clean and fluid with the movement of the technology being recorded. Our post-production team will have plenty of material to work with when working with specific client all thanks to the handy camera suit.

There is a lot of fancy equipment available this day and age and technology is only getting better. Focusing on the necessities that make a shoot better for the client and our Boston production company are a key factor as to why we at SVG are prepared for all types of productions. When it comes to the day of filming, you can rely on the equipment and the production team to ensure a great final product.

Skillman Videography Group LLC specializes in Boston video production. Call us anytime at 1-800-784-0140

How To Improve Audio Recordings

It is a challenge for many Boston video production sets to make sure the audio is set to the right levels and that the back ground noise isn’t picked up. This is a difficult thing for many technical production crews and producers to eliminate because let’s face it, unwanted noise can happen in even the smallest amounts. There are a few ways to help eliminate this undesirable noise while filming on a production set and as a Boston video company, Skillman Video Group is here to help with some tips.

  • Mount the Microphone

Figuring out the best way to configure a microphone to eliminate the background noise on a production shoot isn’t simple. One way to get rid of the vibration sound is to mount a microphone on a stand. By holding a microphone in ones hand, there is a possibility of picking up movement from the fingertips during a recording.

  • Pop Shield

    Pop Screen

Certain sounds are known to release a burst of air while being recorded during a video production. This can be extremely difficult to remove in post-production, but while on set there is a way to eliminate any excess noise. By using a pop shield that covers the microphone, unwanted sound can diminish. The pop shield is just a circular frame with a fine sheer material stretched across it, which eliminates the excess popping noise.

Pop ShieldCertain sounds are known to release a burst of air while being recorded during a shoot. This can be extremely difficult to remove in post-production but while on set there is a way to eliminate any excess noise. By using a pop shield that covers the microphone, unwanted sound can diminish. The pop shield is just a circular frame with a fine sheer material stretched across it, which eliminates the excess popping noise.

  • Room Environment

Room tone or room environment can be a huge contributor to and source of background noise. Recording environment needs to be quiet meaning any fans, electronics, and people are silent during production. Sometimes a video marketing company can be hired for a project that does not require sound to be recorded; in these cases the audio levels do not need to be monitored and the producer can focus on the shots needed. On the video production sites where sounds does matter, the producer and director have to pay close attention to the sound that is being emitted on set. Many editing programs have ways to manipulate the external noise in a room but it all comes down to what the raw footage captured.

Audio engineer w/ boom pole

Ken, boom mic operator

Audio is a difficult part of production because sometimes a set cannot control every aspect of the sound. It is the job of the producer and the director to problem solve and work to the best of their ability to obtain the shots and audio desired for a client. Through the use of these specific tips along with many other sources, audio can be controlled and mastered in most situations. The key is to come prepared and have all the equipment at the set just incase it is needed as part of the video production services.

Skillman Videography Group LLC specializes in Boston video production services. Call us anytime at 1-800-784-0140.


Intern: Post-Production

Knowledge and experience are the result of adversity and critiques. Practice doesn’t make perfect, but perfect practice makes perfect. Practicing video production is no different, and as Skillman Video Group’s intern, I was able to use my prior experience to produce dozens of articles on video production and video marketing.

Producing a video for Skillman Video Group can be intimidating, especially when working for a company that holds itself to the highest of standards. Although filming the video and interviewing our CEO and Creative Director Christina Skillman seemed like an easy task, the post-production editing proved to me that every little element makes a difference to the larger picture.

Color Correction

color-correction YouTube has proven to be a great video marketing tool, and when it came to learning about an unfamiliar program and color correction, YouTube again showed its worth. There are many different strategies for color correction in Adobe Premiere Pro. After tampering with a few, I found that the best color-correction workflow was to correct using RGB scopes. One problem that gave me the greatest difficulty in post-production was matching the color temperature of the b-roll shots to the interview’s. Again, I found that the RGB scopes gave me the best results and allowed me to better match the color temperature of the separate shots.

Also using the color scale is a handy tool when trying to match color temperatures. This gave me a better look at the RGB color data, so I knew which colors needed to be toned down and which ones needed to be increased. Overall, next time when filming I will make sure to better match the color temperature of the interviews and b-roll shots so it will make for less of a hassle in post-production.


There is never too much b-roll. B-roll is an important element to a video especially when having to provide visuals for the interview topic. The audience doesn’t just want to look at the interviewee the whole time, so providing b-roll images that fits in with the dialogue. Going back through the b-roll shots I took, I wish that I had taken more. Having options is the greatest benefit of a video and will ultimately lead to its success. Although I had b-roll clips that worked, it wasn’t up to my standards nor SVG’s. SVG is all about high quality and though I had b-roll shots that would be considered as highly valuable, the rest were average.


audio+ music

Deciding on background music can be tricky. I knew I wanted uplifting feel-good music in the background that wasn’t nostalgic or too aggressive. The video is meant to provide information to SVG’s clients on preparing for a video marketing meeting so the music should express the emotion of the video. After exploring different songs, and testing each in the video sequence, I finally found the right song on Premium Beat, which was uplifting and fit in perfectly with the video. When adding music into a sequence, the music audio and dialogue audio needs to be adjusted so that the music doesn’t overshadow the dialogue. Using keyframes allows the editor to adjust the audio in certain areas that are either to high or too low.


After reviewing the video with Christina Skillman, there were areas of the video that I could improve editing wise, but and as a video producer I learned to look at the smaller elements of video production. Even a scrunched up shirt and messy hair can cause a distraction to the audience and can offset the video. Looking at every detail and making adjustments is what separates the high quality videos from the average. Though I am proud of the video I produced I learned that there are always areas to improve whether it be as a video producer or an editor in post-production

Skillman Video Group LLC is a Boston video production company. Call us anytime at 1-800-784-0140.

SVG on set

2016 Doctoral Research Forum

SVG at MITShooting live events is nothing new for Skillman Video Group, and neither is working with MIT. Recently, SVG was hired to shoot the 2016 Doctoral Research Forum held at one of MIT’s campuses in Boston. The forum was based around 8 presentations that would last about 20 minutes each. It always feels good for SVG knowing that we continuously provide the best videos for our clients, and so much so that they keep us on speed dial for other projects or events.

Although we have worked with MIT before, our approach and protocol stay’s the same. SVG’s videographer, producer, and audio crew arrived at the filming location an hour and a half before the presentations began to set up the equipment. Seeing that we would be filming a live event, it was important to arrive at the location early to test the audio, soundboard, lighting, and camera angles.


Audio crewWhen filming live presentations it’s important that the camera is able to pick up all the audio from each presenter. By bringing in our audio team it allowed us to hook our camera up to the sound board so any dialogue coming through over the rooms speakers would also be directly sent to the camera. Three presenters were set-up with wireless lavalieres. When it was one presenter’s turns to speak the sound crew would turn down the audio from the prior presenter and turn up the audio for the next. This allowed for an easier transition from one presenter to the next without having to slow the day down due to micing up the next presenter each time. Having three wireless lavalieres not only made for an easier transitions but also kept the presentations flowing. Our audio crew also set-up two wireless microphones. One was set at the podium for introductions into the next presenter, and another at the judge’s table for questions. The audio from these two microphones was also sent to the soundboard and then into the camera. Although audio can be difficult to understand if we are talking logistics, as long as you have the right equipment and audio professionals, the task is easier done than said. All it takes is one wire to connect the soundboard to the video camera.

Camera Set-UpCamera Set-Up

Camera set-up can be tricky when filming live events especially because the videographer must anticipate where the presenters will be walking. In order to ensure that our video cameras would capture the presenter the projector screen, we added tape on the floor so the presenters would know what areas he or she were permitted to walk. Although you will have some presenters who wander off past the black tape, our wide camera angle made sure to capture all movement.

Camera set-up is always important during live events. Seeing that the presenters would be using a projector with slides to show their research we needed to include a close up shot of the presenter, a wide angle shot of the projector and the presenter, as well as a shot of just the projection screen. As stated before we assembled one camera toward the back of the room. We raised the camera up on the tripod to avoid the audience members sitting at the tables in front of the presenter. Having audience heads at the bottom of the screen takes away from the video and is a distraction visually. Another video camera was set-up at the front of the room, but out of the way of audience members. This camera was solely to focus on the presenter and pan to the judges during questions. Finally, a third camera sat on one of the tables at the front of the room. This camera was only set-up to capture the presenters slides. The slides from the presentations were sent to our editor to include into the video. By filming the projector screen it would help the editor in post-production know where each slide is to go.

Natural Lighting

Lighting Although the tape on the floor was to stop the presenters from moving outside of the camera shot, it was also to ensure the presenters would not walk in front of the projector screen and cast a shadow. Shadows would ultimately be the problem to avoid throughout filming. The room we were in brought in a lot of natural lighting, which illuminated the room beautifully but can also cause a lot of unwanted shadows across the background and floor. To avoid the shadows, our professional videographer assembled two LED lights (One small and one larger). The LED lights would add extra light but would also offset the shadows. One thing to keep in mind when working with natural lighting is the suns movement through the course of the day. However, having extra LED lights set-up can be adjusted as the natural lighting comes in through different directions, and again can offset the shadows.

On a side note: when filming indoors with natural lighting always make sure to reset the white balance on the camera.

It’s always a pleasure working with MIT, and we hope to continue our relationship with the University down the road. Though there are always some problems that come up when shooting a live event, our crews preparation only makes those problems minimal.